April 2025 Updates


TICKET Act

With so many proposals for new ticketing regulations in the US, and so many campaign groups with differing demands, it’s all rather confusing. With the TICKET Act, just passed by the House, it’s mainly good stuff, but with a problematic loophole and some other issues. Or so say NITO and NIVA. Here is my CMU report.

Pathways events

Yesterday we published a Pathways Into Music events update – we’re taking part in the brand new Musically Unorthodox Conference in Northampton next month, we have our next Educator Pathways Weekend in Southampton in June, and the MIME Conference will return in Manchester in November. Get all the info here.

This week in Parliament

This Tuesday, Parliament’s Culture, Media & Sport Select Committee will put the spotlight on the comedy business for the first time with a ‘state of play’ session on live comedy. Here’s a recent TW:Backstage article I wrote explaining what it’s all about.

All rights reserved

So I’m in Bremen to celebrate World Intellectual Property Day this year because, you know, copyright provides creators with control over the outputs of their creativity, and that even includes my rather generic iPhone photo of this here Bremen Windmill.

I’m in Bremen

Great first day at Jazzahead! – including delivering my first ever ‘silent disco’ style speed briefing, with my presentation amplified to the audience via headphones rather than speakers. Looking forward to checking out more panels and showcases tomorrow, and maybe even the Ferris wheel parked outside the conference venue.

Pathways Southampton

The next edition of our Pathways Into Music professional development weekend for music educators is happening in Southampton on 14 and 15 June. It’s for anyone involved in educating or supporting young people making music in the Solent, Bournemouth / Christchurch / Poole and Hampshire regions. And, thanks to the support of our brilliant partners, participation is free. Please do spread the word – full info here.

ThreeWeeks reviewers

It’s that time of year when our regular posts about applying to join the ThreeWeeks review team double up as an unofficial Edinburgh View Of The Week feature. If you know anyone planning to be at the Edinburgh Festival in August who might like to share their experiences with our readers, all the info is here.

Powerpoint weekend

I’m having a bit of a Powerpoint weekend with speed briefings to deliver at three conferences in the next few weeks: Jazzahead! in Bremen on Friday, Spot+ in Aarhus on 3 May and AIM Ireland Connects in Dublin on 8 May. Hope to see some of you there!

Open when?

My local ASDA now seems to be doubting itself about its new opening hours, with those bees covering up the revised opening times. Maybe that means it’s still open 24 hours after all. Or maybe “guess the opening hours” is some sort of Easter tradition here in Leyton.

Double defamation

Double defamation week. In that I’ve written about defamation twice. I haven’t defamed anyone. We had an update on the Drake v Universal dispute in CMU today and I wrote about the Paul Currie v Soho Theatre case in this month’s TW Round-Up on Monday.

Authors v Meta

If four law professors say AI training is fair use and ten say it isn’t, that means the copyright owners win the argument, right? If only it was that simple, not least because thinking about all the various fair use arguments in any level of detail tends to result in a headache. Anyway, here’s the latest on the authors v Meta AI copyright dispute.

Jazzahead! programme

Jazzahead! has published its conference programme for this year – which includes my speed briefing on the diversifying digital market. Looking forward to heading to Bremen next week.

ThreeWeeks 2025

Don’t forget, if you are producing or performing at the Edinburgh Fringe this year, you can make sure that your show is on the radar of the ThreeWeeks editorial team by filling out this form.

Gig refunds

I was back on BBC Radio Ulster earlier discussing the ins and outs of gig refunds, what happens when shows are cancelled or just not very good? The conversation may or may not have been prompted by a recent Ryan Adams gig in Belfast. It’s on BBC Sounds here.

Leyton news

So the big news in Leyton this week, the 24 hour ASDA I live next door to doesn’t seem to be a 24 hour ASDA anymore. Which means I can no longer do my shopping at 3am. Which I never did, but I always liked the idea that I could.

Un-Convention + MIME

Un-Convention have announced dates for their 2025 Manchester edition – 20 and 21 November – which would be exciting on its own, but even more exciting, we will once again be presenting an edition of our Music Industry + Music Education Conference right alongside it on 22 November. Info here.

Going to Bremen

Looking forward to visiting Bremen for the first time later this month to attend the Jazzahead! trade fair and festival. I’ll be speaking as part of the Professional Program, more info on that very soon. Mentioning it now because I remembered to book my flights and fill out the delegate registration form earlier, so I’m feeling very organised.

Monumental meeting

It’s always nice having a meeting in a room that commands a great view of a London tourist attraction – and there aren’t many great views of The Monument. Someone should write a list of all the companies you need to have meetings with in order to get decent views of all the different tourist attractions.

Comedy in Parliament

I’ve covered quite a few culture select committee sessions and inquiries on music business matters, but this spring there’ll be a session on the live comedy sector for the first time, which will be interesting. Here’s a TW Explainer on what that’s about and why the Live Comedy Association asked for it.

Mariah’s legal costs

Given how much I waffle on about music copyright, imagine if I could find someone to pay me $995 an hour to waffle on about music copyright. Mariah Carey’s legal costs are in the spotlight in the latest chapter in the ‘All I Want For Christmas Is You’ song-theft dispute. Read my CMU report here.

Downtown deal latest

Some interesting developments in the last week in relation to Universal Music’s big acquisition of Downtown Music, with the Dutch competition regulator submitting a referral request to the European Commission. Here’s my CMU report from yesterday on the indie sector’s response.

ThreeWeeks reviewers

With another 1200+ Edinburgh Fringe shows announced yesterday, I should mention this again: if you’re at the Festival this August and are interested in sharing your experiences with the ThreeWeeks audience, you can apply to join our 2025 review team here.


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My Name Is Chris Cooke
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